Ultima's Perfection

"Ultima's Perfection"

"Ultima's Perfection" (titled "Ultema The Perfect Body!" in Japanese) is the final boss theme of Final Fantasy Tactics, composed by Masaharu Iwata.

Game appearances

Final Fantasy Tactics

Ultima at the Airship Graveyard.

Following "Ultima's Transformation", "Ultima's Perfection" plays during the battle against the final boss of the game, Ultima, in her second form at the Airship Graveyard. It is named "Heartless Hellion" in the in-game sound test mode of The War of the Lions version.

"Ultima's Perfection" is track 26 of disc 2 on the Final Fantasy Tactics: Original Soundtrack.

Final Fantasy XIV: Stormblood

Ultima, the High Seraph

The original "Ultima's Perfection" from Final Fantasy Tactics plays as the final boss theme during the second phase of the battle against Ultima, the High Seraph in The Orbonne Monastery, the final part of the Return to Ivalice alliance raid. It is track 26 on the Shadowbringers: Final Fantasy XIV Original Soundtrack.

Final Fantasy XIV: Endwalker

"Ultima's Perfection (Endwalker)" is an arrangement by Daiki Ishikawa that plays as the final boss theme during the second phase of the battle against Pallas Athena in Anabaseios: The Twelfth Circle (Savage), the final circle of the Pandæmonium raid.

"Ultima's Perfection (Endwalker)" is track 4 on the Final Fantasy XIV: Endwalker - EP4 digital mini album and track 63 on the Growing Light: Final Fantasy XIV Original Soundtrack.

Etymology

[view · edit · purge]Ultima means "the last" in Latin and many Latin-based languages. The word is an inflection of ultimus which is the superlative of ulter, which means "that is beyond". In the Spanish versions of many Final Fantasy games, the spell Ultima's name is written as "Artema", a close transliteration of the Japanese katakana.