Tsubame Gaeshi in Final Fantasy VI.
Deliver a cruciform blow that gains power the closer you are to 50% AP. Inspired by the swallow.
Final Fantasy Explorers description
Tsubame Gaeshi (燕返し?, ツバメ返し? or つばめがえし, Tsubamegaeshi?, lit. Swallow Counter) also known as Tsubamegaeshi and Back Blade, is a recurring ability in the series. It is a sword ability used mainly by the Samurai class, originally appearing as the Desperation Attack for Cyan Garamonde and later used by Gilgamesh.
Contents
- 1 Appearances
- 1.1 Final Fantasy VI
- 1.2 Final Fantasy XIV
- 1.3 Final Fantasy Dimensions II
- 1.4 Dissidia 012 Final Fantasy
- 1.5 Pictlogica Final Fantasy
- 1.6 Final Fantasy Airborne Brigade
- 1.7 Final Fantasy Record Keeper
- 1.8 Final Fantasy Explorers
- 1.9 Final Fantasy Brave Exvius
- 1.10 Mobius Final Fantasy
- 1.11 Blood of Bahamut
- 2 Gallery
- 3 Etymology
Appearances[edit | edit source]
Final Fantasy VI[edit | edit source]
Tsubame Gaeshi is Cyan's Desperation Attack, which deals magical damage to one enemy with a power of 140.
Final Fantasy XIV[edit | edit source]
Tsubame-gaeshi is an ability usable by the Samurai Job at Level 76. It repeats the previously executed Iaijutsu with increased potency.
Final Fantasy Dimensions II[edit | edit source]
This section about an ability in Final Fantasy Dimensions II is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Dissidia 012 Final Fantasy[edit | edit source]
Tsubamegaeshi is an aerial physical Bravery attack for Gilgamesh learned by default. It requires 30 CP to equip (15 when mastered), 100 AP to master, has Melee Low priority, and can induce Wall Rush. It forces Gilgamesh to roll forward while slashing, then he performs a series of attacks that knocks the opponent downward. In EX Mode, the attack will deal more hits before knocking the opponent downward.
Dissidia Final Fantasy Opera Omnia[edit | edit source]
This section about an ability in Dissidia Final Fantasy Opera Omnia is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Pictlogica Final Fantasy[edit | edit source]
This section about an ability in Pictlogica Final Fantasy is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Final Fantasy Airborne Brigade[edit | edit source]
This section about an ability in Final Fantasy Airborne Brigade is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Final Fantasy Record Keeper[edit | edit source]
This section about an ability in Final Fantasy Record Keeper is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Final Fantasy Explorers[edit | edit source]
This section about an ability in Final Fantasy Explorers is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Final Fantasy Brave Exvius[edit | edit source]
This section about an ability in Final Fantasy Brave Exvius is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Mobius Final Fantasy[edit | edit source]
This section about an ability in Mobius Final Fantasy is empty or needs to be expanded. You can help the Final Fantasy Wiki by expanding it.Blood of Bahamut[edit | edit source]
Tsubame Gaeshi is one of the attacks used by Gilgamesh, the fourth giant. It consists of a fast-traveling air slash followed by Gilgamesh spinning around to deliver another shockwave.
Gallery[edit | edit source]
_SR.png "FFAB Tsubame Gaeshi - Samurai (F) SR.png (25 KB)")
_SR%2B.png "FFAB Tsubame Gaeshi - Samurai (F) SR+.png (25 KB)")
Add a photo to this gallery
This gallery is incomplete and requires Blood of Bahamut added. You can help the Final Fantasy Wiki by uploading images.Etymology[edit | edit source]
Tsubame Gaeshi (燕返し?, lit. Swallow Return/Reversal) is the fabled technique of the legendary swordsman, Sasaki Kojirō. Commonly known as the "swallow cut", it was a technique that mimicked the motions of a bird's tail, and was said to be so fast it could cut down birds in mid-flight. However, the depictions of the technique were often vague at best, and assorted variations are seen in various media.
