Final Fantasy X allusions

The following is a list of allusions in Final Fantasy X.

Final Fantasy

 * The Matoya's Blade weapon for Auron is an allusion to the witch Matoya. As Matoya is a witch, Matoya's Blade is a magic-based weapon.

Final Fantasy III

 * Lulu's Celestial Weapon, Onion Knight, refers to the first job of Final Fantasy III NES version, Onion Knight. It has the original 8-bit sprite on the shield.
 * The word used to describe summoned beasts and the name of Yuna's first summon are names of the enemies: Aeon and Valefor, respectively.

Final Fantasy IV

 * After the Warrior Monks have taken over guard duties in Luca, a man wearing a green tunic walks around in the circle area with access to the stairs and the cafe (where the little girl with the red balloon is). He says he asked out a Warrior Monk girl in the cafe, but she called him a "spoony bard" — a reference to the famous exclamation from Final Fantasy IV.
 * The Magus Sisters first appeared in Final Fantasy IV. Their attack patterns are similar in Final Fantasy X to when they were fought as bosses in Final Fantasy IV.
 * When the Magus Sisters perform their Delta Attack Overdrive, they surround the enemy party in eight Crystals, four of a blue hue, and four of a red-orange hue. This alludes to the four blue Crystals of the surface world, and the four red-orange Crystals of the Underworld.
 * Kain's Lance weapon for Kimahri is named after Kain Highwind from Final Fantasy IV.

Final Fantasy V

 * Mix first appeared as the Level 2 command ability of a Chemist.
 * The ability to capture enemies first appeared in Final Fantasy V.
 * Shinryu, which appears as a Monster Arena boss in Final Fantasy X, first appeared as a superboss in Final Fantasy V. Whereas the boss in Final Fantasy V used powerful water attacks, Shinryu in Final Fantasy X is actually submerged in water.

Final Fantasy VI

 * Yunalesca's final form resembles the battle sprite of Goddess.
 * Strago Magus and Relm Arrowny were to fight using stuffed toys, but the idea was abandoned during the development of Final Fantasy VI. This idea was used for Lulu's weapons as she wields dolls.
 * Yojimbo is based on the enemy of the same name from Final Fantasy VI.
 * Neslug is based on the first boss in the game, Ymir. In the Game Boy Advance and mobile versions of Final Fantasy VI, Neslug appears as an optional boss in the Dragon's Den.
 * Auron's Blurry Moon katana shares its Japanese name, Oborozuki, with Shadow's ultimate weapon.

Final Fantasy VII

 * There is a dummied-out Buster Sword for Tidus in data files of Final Fantasy X. If given to Tidus via hacking, he strikes the enemy with the blunt side.
 * One of Lulu's dolls is Cait Sith from Final Fantasy VII.
 * Kimahri's Venus Gospel weapon may be an allusion to Cid Highwind's ultimate weapon in Final Fantasy VII. Also, his Shapeshifter spear shares its Japanese with Cid's Grow Lance.
 * Yuna's Fairie Staff rod shares its Japanese name with Aeris's Fairy Tale rod.

Final Fantasy VIII

 * Lulu wields plush toys as her weapon; these include the alien PuPu and the animal Moomba, both of which first appeared in Final Fantasy VIII.
 * Yuna's armor Solomon Ring may refer to the unique item of the same name in Final Fantasy VIII.
 * Anima resembles Ultimecia's final form, as the two have an upper and a lower part, and Ultimecia's lower part is displayed in a similar position to Anima's upper part.
 * Tidus's sword Heartbreaker shares its Japanese name with Squall's best Renzokuken ability Lion Heart: End of Heart. Tidus's Heartbreaker triples the charge rate of the Overdrive gauge alluding to Squall's ability.

Final Fantasy IX

 * The Ronso are willing to construct Yuna a statue with a horn on her forehead. Summoners of Madain Sari from Final Fantasy IX had horns.
 * The track "Brahne and the Performers" can be briefly heard in the CGI cutscene when the party arrive in Luca.

Allusions to the Number Ten
Being the tenth installment of the series, Final Fantasy X makes some references to the number itself. Although many of these are not necessarily deliberate allusions to the number 10 (whether they are or not is speculative), they are nonetheless present.


 * There are ten aeons: Valefor, Ifrit, Ixion, Shiva, Bahamut, Yojimbo, Anima, Sandy, Cindy, and Mindy.
 * The Machina War took place ten centuries before the game's start.
 * The Monster Arena can hold up to ten fiends of each kind.
 * Lord Braska's pilgrimage took place ten years before his daughter's. In the same year, Wakka joined the Besaid Aurochs.
 * Kimahri left Mount Gagazet for ten years before returning.
 * Before Yuna's pilgrimage started, she lived on Besaid for ten years.
 * Without inclusion of months, Jecht came to Spira ten years before the game started.
 * The superboss Nemesis boasts 10,000,000 HP in the battle against it.

Christianity

 * There are some allusions related to Roman Catholicism, e.g.: pilgrimage, priests, maesters (in catholicism: cardinal), grand maester (in catholicism: pope), and Sin.
 * The character of Yuna can be seen as a messiah-archetype, with her mission to sacrifice herself to save Spira from Sin. During the sending in Kilika, she walks on the water, which may have been inspired by Jesus Christ walking on the Sea of Galilee.
 * When Seymour is killed in the Macalania Temple he falls on the ground assuming the pose of Jesus Christ hanging on the cross. Seymour wants to cure Spira by sacrificing himself to become the next Sin and, according to his perspective, save Spira, possibly meant to reference Jesus' sacrifice of his life for the forgiveness of sins.
 * When the party meets Seymour again in Bevelle, Kimahri stabs him in the chest with his spear, similar to the tale of Longinus' spear that stabbed Jesus' chest. Kimahri's Celestial Weapon is called Longinus; Longinus is a reference to the soldier who pierced the side of Jesus Christ before he was taken down from the cross according to the Bible.
 * The Crusaders are named after the Vatican's warriors in the.

Buddhism and Hinduism

 * The Siddham Sanskrit script, which is the basis for the script of Yevon is used in Japan mostly by the Shingon School of Buddhism that draws on early Hindu traditions. One traditional concept is that deities manifest their thoughts or spiritual energy in the physical world on several different "wavelengths": Sound, Form, and Symbol. The form through which a deity can manifest, is an anthropomorphic representation that is not the deity itself, but a living form humans can apprehend. The form physically expresses the deity's essence, in the same vein the aeons represent the fayth's dreams rather than their temporal bodies. In some Hindu and Buddhist practices one can invoke a deity through the physical representation of a statue, similar to the link between aeons and fayth. The symbol through which deity can manifest is a mandala (Buddhist tradition) or yantra (Hindu tradition), a geometric pattern which distills the deity's essence into a visual representation. This is similar to how aeons are represented by glyphs, which appear in the temples and during the aeons' summoning animations, the aeon often emerging into the physical world through the glyph. The fayth also sing the "Hymn of the Fayth", which may represent the "Sound" part of the way spiritual energy manifests in the physical world.

Japanese Mythology

 * The concept of fiends and pyreflies are based on the idea that fireflies represent a human soul and that restless dead turn into monsters.
 * The concept of the unsent alludes to the ; according to traditional Japanese beliefs upon a person's death the soul leaves the body and enters a form of purgatory, where it waits for the funeral and post-funeral rites to be performed so it may join its ancestors. If one dies in a sudden or violent manner, if the proper rites have not been performed, or if they are influenced by powerful emotions, the soul transforms into a yūrei#, which can bridge the gap back to the physical world and exists on Earth until it is laid to rest, either by performing the missing rituals, or resolving the emotional conflict that ties it to the physical plane. Yūrei are frequently depicted as being accompanied by a pair of floating flames that are separate parts of the ghost rather than independent spirits. This is similar to how the unsent in Final Fantasy X are related to pyreflies.
 * Yuna's role as a summoner is akin to an arukimiko (歩き巫女), a type of miko or priestess who travels the countryside while performing her duties. Her sending dance at Kilika is homage to a kagura dance.
 * Final Fantasy X's plot alludes to the famous Japanese story of and the . Susanoo (Tidus) is banished from his home in the Heavens (Dream Zanarkand) and trying to win back favor to return home. He comes to the mortal world (Spira) and comes across two earthly deities who are weeping because they have to sacrifice their daughters (summoners) to the evil Yamato-no-Orochi (Sin) to keep it from destroying their home. They wish to save their eighth daughter (Yuna) from being devoured, so Susanoo comes up with a plan that involves getting the dragon-snake drunk with wine ("Hymn of the Fayth") and killing it in its drunken state.

Games

 * blocks are used in Zanarkand Dome's Cloister of Trials puzzles.

Music

 * Tidus says, "Don't worry, be happy?" when Kimahri tells him not to try to worry as it would make Yuna worry. This alludes to 's song of the same name.
 * "Macarena" is mentioned by Tidus by mispronouncing the name of Macalania Temple. This alludes to the popular song "", by.

Novels

 * The event in the Moonflow resembles the similar event in  where the Buddhist monk Tang Sanzang (Yuna) gets kidnapped while traveling the river by Sha Wujing (Rikku), who becomes the final member of Sanzang's group once defeated.

Sports

 * Blitzball is based on . The last attack sequences of the Jecht Shot and Blitz Ace allude to two of the most famous football tricks: The (Jecht Shot) and the  (Blitz Ace).
 * Auron's Overdrive, the Shooting Star, alludes to the in  game.
 * Wakka's weapons are named after sport terms such as Ace Striker, Grand Slam, T.K.O., World Champion, and etc.
 * There are several scenes that Wakka applies a professional wrestling move, the to Tidus.
 * "Stone Cold" is one of Wakka's sport themed weapons, a reference to, an American professional wrestler.
 * On the airship Fahrenheit, Cid throws Tidus with a famous move, the.