Final Fantasy


 * ''This article is about the first installment of the series. For general series information, see Final Fantasy (Series). For other uses, see Final Fantasy (Disambiguation).

Final Fantasy, also known as Final Fantasy I or the Original Final Fantasy in collections and common languages, is a role-playing game developed and published by Square Co., Ltd. for the Nintendo Entertainment System. It was released in 1987, and it is the inaugural game in Square's flagship Final Fantasy series.

Since the original creation of Hironobu Sakaguchi, Final Fantasy has subsequently been remade for several different video game consoles and handheld systems, including the MSX2 computers (converted and released by Microcabin) and the Bandai WonderSwan Color. It has also seen versions produced for two Japanese mobile phone service providers: the NTT DoCoMo FOMA 900i series (as Final Fantasy i) and the CDMA 1X WIN-compatible W21x series of mobile phones from au/KDDI (as Final Fantasy EZ) and has also been made available with the American mobile company, Sprint and the Canadian mobile company, Rogers. The game has frequently been packaged with the next game in the series, Final Fantasy II. Compilations of the two games have been released for the Family Computer, the PlayStation, and the Game Boy Advance. The most recent port of the game is available in the iTunes App Store for iOS. Final Fantasy was Nobuo Uematsu's sixteenth work of video game music composition.

Gameplay

 * Please note, the following refers to the original Famicom/NES version. For changes in subsequent remakes, see the sections on Development.

Final Fantasy begins by asking the player to select the character classes and names of each Light Warrior (The player characters). Just like most computer role-playing games of that era, the player characters are passive participants in the story. Because of this, the player's choice of character class will only affect the Light Warriors' abilities in battle. The character types are:

Gameplay is similar to that of many other console role-playing games. The player wanders around a world map, randomly encountering monsters which must be either dispatched in battle or fled from. Emerging victorious in battle earns the player Gil, which can be used to buy weapons, armor, curative items, and magic spells. Victory also grants Experience, which accumulate until players achieve certain milestones ("experience levels") at which characters gain greater capacity for strength, damage resistance (known as Hit Points, or HP), and spell casting. The player can enter towns on the world map to be safe from random attacks, restore HP and spell charges, acquire information by talking to villagers, and shop. Battle is turn-based, i.e. players select the desired actions for their PCs (Fight, Cast Spell, Run, etc.), and when finished the PCs execute their actions while monsters retaliate depending on their Agility.
 * Warrior (Fighter) — A specialist in heavy weapons and armor who can withstand tremendous amounts of punishment. Can become the Knight later in the game, who is able to use the most powerful weapons and some White Magic spells.
 * Monk (Black Belt) — A martial arts expert who is best left fighting empty-handed, but may also wield nunchaku, and the most basic of staves. Does tremendous amounts of damage in combat, but cannot wear heavy armor. Can become the Master later in the game. In the original Famicom version a high level, barehanded Master who is unencumbered by armor, can do more damage in a single attack than any other character type; a party of four Masters can defeat the final boss monster in less than two full rounds. A rather weak class in the beginning, but you never have to buy much weapons/armor for him.
 * Thief — A high evasion/accuracy finesse fighter with very limited weapon and armor selection, but greater agility and luck (ability to escape from combat). However, the ability to flee is bugged in versions before the Origins release. Later in the game, the Thief can be upgraded to the Ninja class. Ninja can use almost every weapon and most armor, and can use many Black Magic spells.
 * White Mage — A specialist in White Magic. Not a good fighter, but can use hammers for physical attacks. Can be upgraded into a White Wizard, which allows the character to use the most powerful White Magic spells in the game.
 * Black Mage — A specialist in Black Magic and a very weak fighter. Becomes the Black Wizard later on. Black Wizard is the only character who can cast Flare (NUKE in the original North American localization), one of the two damaging spells that retain full effectiveness against Chaos (the White Wizard can cast Holy, the other spell, but it is less powerful than Flare).
 * Red Mage — A jack-of-all-trades character, able to use most but not all of both White and Black Magic, and possessing fighting abilities similar to but not quite as good as the Fighter. Becomes the Red Wizard later in the game.

Every version of Final Fantasy also has a secret minigame, 15 Puzzle, that can be played out on the sea.

Story
Final Fantasy takes place in an unnamed fantasy world with three large continents. The world's elemental powers are determined by the state of four glowing crystals ("orbs" in the original North American localization), each governing one of the four classical elements: earth, fire, water, and wind.

In the two centuries prior to the start of the game, violent storms sunk a massive shrine that served as the center of an ocean-based civilization, and the water crystal went dark. Two centuries before that, a group of people known as the Lufenian, who used the wind crystal's power to craft giant aerial stations ("Flying Fortresses") and airships, watched their country decline as the wind crystal went dark. Eventually, the earth and fire crystals also went dark, plaguing the earth with raging wildfires and devastating the agricultural town of Melmond as the plains and vegetation decayed. Some time later, a sage called Lukahn tells of a prophecy that four Warriors of Light will come to save the world in a time of darkness.

The game begins with the appearance of the four youthful Warriors of Light, the story's protagonists. The Warriors of Light each carry a darkened crystal, one of each element. They arrive at Cornelia, a powerful kingdom that has just witnessed the kidnapping of its princess, Sarah, by a rogue knight named Garland who wants to conquer the kingdom. The Warriors of Light travel to the ruined Chaos Shrine in the corner of Cornelia, defeat Garland, and return Princess Sarah home. The grateful King of Cornelia rebuilds the drawbridge that enables the Warriors of Light passage east of the country.

Traveling east, the Warriors of Light learn that a dark elf wizard named Astos has been terrorizing the area surrounding the southern continent's inland sea, Elfheim, stealing a crystal that the witch Matoya needs for sight, putting the prince of the elves into a coma, and stealing the crown of a minor western king. As they travel, they liberate the town of Pravoka from a band of pirates and acquire the pirates' ship for their own use. The Warriors of Light now have the ability to travel across the water, but remain trapped within the Aldean Sea, in the center of a large continent. A large rock blocks the only exit from the sea. There is a group of dwarves in Mount Duergar trying to remove the rock, but they find themselves unable to proceed without Nitro Powder. The Nitro Powder is contained in a locked room in Castle Cornelia, the only key to which is held by the sleeping elven prince. They retrieve the stolen crown, only to find that the minor king was actually Astos. After defeating Astos, the Warriors of Light recover Matoya's crystal and return it to the witch, who makes them a herb that will awaken the elven prince. The prince gives them the Mystic Key, with which they travel to Castle Cornelia and retrieve the Nitro Powder, which they then take to the dwarves to help them finish their canal. With the rock now cleared, the Warriors of Light proceed into the greater world.

Sailing to Melmond, the Warriors of Light seek out and destroy the Fiend of Earth, the Lich, who is responsible for the earth's rotting. The Warriors of Light then enter the volcano Mount Gulg and defeat the Fiend of Fire, Marilith, who was awakened two hundred years prematurely by the Lich's defeat. The Warriors then acquire an airship and visit the Cardia Islands to meet with the dragon king Bahamut who gives them the task of surviving the Citadel of Trials and getting proof of their deeds. When they return he gives them greater job classes, improvements of their original ones. The Warriors then defeat the Fiend of Water, the Kraken, in an underwater palace near Onrac, and Tiamat, the Fiend of Wind, in the Flying Fortress. The four Fiends defeated, and the crystals restored, the Warriors find that their quest is not yet over: The Fiends created an archdemon, Chaos, using the body of Garland, and sent him 2,000 years into the past. Following Chaos into the past, the Warriors discover that it was Chaos who had sent the four Fiends into the future, creating a time loop paradox.

The Warriors of Light, upon defeating Chaos, return to their own time. Having broken the time loop, peace has been returned to the world, yet it is a much different place. While all of its people are completely unaware that the entire ordeal had taken place, and though even the Warriors themselves do not recall their adventure either, order has been restored and the darkness has been vanquished for their world's future.

Development
Final Fantasy was developed after Square Co.'s initial games were not entirely successful. Planning to retire from the game industry, Square Co.'s president and producer/director Hironobu Sakaguchi declared that his final game would be a fantasy RPG, hence the title. Far from being his final game, however, Final Fantasy proved to be a major success in Japan, presenting them with the second most popular RPG franchise in the country (after Enix's Dragon Quest).

The company initially forecast the game to sell around 200,000 copies, but Sakaguchi was upset with that number, and demanded at least half a million. The company still put the limit at 200,000, so when the the first pack came from the production facility, Sakaguchi took every single ROM to every publication out there at that time, and did his own PR with the game.

Following the successful North American localization of Dragon Quest (as Dragon Warrior), Nintendo of America translated Final Fantasy into English and published it in North America in 1990. The North American version of Final Fantasy was met with modest success, due partly to Nintendo's aggressive marketing tactics. No version of the game was marketed in Europe or Australia until 2003's Final Fantasy Origins.

Final Fantasy, along with the original Dragon Quest, proved to be one of the most influential early console role-playing games, and played a major role in legitimizing and popularizing the genre. Graphically and musically, it was a more polished effort than many of its contemporaries. Many modern critics point out that the game is poorly paced by contemporary standards, and involves much more time wandering in search of random battle encounters to raise their experience and money levels than it does exploring and solving puzzles. However, this was a common trait for role-playing games of this era, and one that, in some respects, would remain in place until the mid-1990s.

Final Fantasy has been remade several times for several different platforms. While the remakes retain the same basic story and battle mechanics, various tweaks have been made in a variety of different areas, including graphics, sound, and specific gameplay elements. What follows is a brief description of certain characteristics unique to each remake.

Family Computer version to MSX2 version
The MSX2 computer standard was roughly analogous, in terms of technical capabilities, to the Famicom/NES, and so, as a result, the MSX2 version of Final Fantasy is probably the closest to the original Famicom version. However, while the Famicom was designed to operate exclusively as a gaming console, the MSX2 was intended to be used more generally as a personal computer. In practice, this meant that the game was subtly altered to take advantage of certain features offered by the MSX2 and not by the Famicom, and vice versa.
 * Format. Released on floppy diskette, the MSX2 version of the game had access to almost three times as much storage space as the Famicom version (720 KB vs. 256 KB), but suffered from a variety of problems not present in Nintendo's cartridge media, including noticeable loading time.
 * Altered graphics. Relatively minor upgrades. In general, the MSX2 version sports an ostensibly improved color palette which adds a degree of vibrancy to character and background graphics. However, some have commented that the choice of colors sometimes seems "off", and argue the Famicom version's graphics were of higher quality, despite the technical superiority of the MSX2 in this field.
 * Subtly altered random battles. The world map seems to have been moved slightly, meaning that the placement of monster "areas" on the world map is slightly different, and that monsters appear in different places than in the Famicom version.
 * Different saved game system. Game data could not be saved onto the original program diskette, so it was necessary to provide a blank floppy diskette to save one's progress. For some reason, it was possible to store only one saved game on any given disk at one time, although it was possible to have multiple diskettes for multiple saved games.
 * Upgraded sound and music. The MSX2 featured more sound channels than the Famicom, and as such many music tracks and sound effects were altered or improved for the port. Also, some dungeon music has been swapped.
 * Miscellaneous engine tweaks. In the Famicom version, the Black Belt's strength would increase with his experience levels, meaning that very soon the player would reach a point where a Black Belt could do more damage without weapons than he could with one equipped. In the MSX2 version, this is not the case: Black Belt's strength does not increase nearly as quickly, and as such he cannot operate effectively as a barehanded fighter. Also, a few (though not all) items available in stores have had their costs changed.

Family Computer version to Nintendo Entertainment System version
The 1990 North American localization of Final Fantasy was essentially identical to the original Japanese game. But technical limitations, and the censorship policies of Nintendo of America, resulted in a few minor changes to certain elements.
 * Truncated magic names. The original game program provided only four character spaces for magic spell names, meaning that a lot of original Japanese spell names had to be abbreviated to fit into the space requirements for the English version. These changes include "Flare" being reduced to "NUKE", "Thunder" being reduced to "LIT" and "Warp" being reduced to "ZAP!".
 * Censorship issues. Nintendo of America policy prohibited games from featuring any overt Judeo-Christian imagery or reference to death. As such, some graphics were modified, so that, for instance, churches no longer featured crosses. (This is probably why the Kill spell was renamed as "Rub".)

Family Computer version to WonderSwan Color version
Many more changes were introduced for the game's WonderSwan Color remake.
 * Upgraded graphics. The 8-bit graphics of the original Famicom game were completely redrawn for the WSC version, bringing the game roughly on-par with 16-bit era graphics. The color palette was much larger and battle scenes featured full background images.
 * Parity with later games. Character sprites (especially the upgraded classes) were redesigned to look more like characters from the Super Famicom Final Fantasy games. In the Famicom version, shops and inns had no interior map: once a character entered the building, they were greeted with a menu-based purchase screen. In the WSC version this was changed to more closely resemble other games in the series, where each building had an interior, along with a shop counter where the transaction screen could be accessed. Similarly, the battle screen was redesigned, with all textual information moved down to a blue window stretched across the bottom of the screen in an arrangement similar to that utilized in Final Fantasy II through Final Fantasy VII.
 * Added cutscenes. Short cutscenes, using the internal game engine, were added to expand the game's story somewhat. One such cutscene involved the construction of the bridge by the Corneria army.
 * Expanded text. The original Famicom version did not have the ability to display more than one window of text during a conversation, which meant that all conversations with non-player characters were strictly limited in length. The WSC version removes this restriction.
 * Optional engine tweaks. In the original version, any attempt to attack a monster that had been killed by a previous character's attack would result in an "ineffective" attack. The WSC version introduced an option wherein the attack would be redirected to another monster rather than fail. Similarly, a "dash" option had been introduced: holding down a specific button while walking around in a town or dungeon map would cause the character to move around at twice their normal pace. Both of these options can be turned on and off via the game's configuration screen.
 * Deletable spells. As in the original version, every magic using character has successive "spell levels". Each character has only three available slots per spell level, but is given the option of choosing from four spells. Once that choice had been made in the original version, there was no way to "unlearn" spells to free up a space for the unchosen fourth spell. In the WSC version, this has been changed so that it is possible to delete spells once purchased.
 * More save game slots. The original Famicom cartridge could only store one set of game data at a time, and every time a new save was made, the previous one was overwritten. The WSC version provides up to eight distinct slots for saved game data. The "quick save" feature was also added, which allows the player to save his or her progress at any time (except during battles). This will exit the game, however, and as soon as the game is resumed, any quick save data is lost.
 * Changed item system. In the original version, only items specifically assigned to a character could be used during battle. In the WSC, this has been changed so that there is a party-wide "pool" of items which can be accessed at any time by all characters. Certain status healing items and spells (such as Life and Soft) could now be used during battle. The status ailment Silence no longer prevents items from being used.
 * Added music. In addition to remixing the soundtrack, composer Nobuo Uematsu has composed several new tracks, including a new "boss battle" theme.
 * Bosses have more HP. Because many of the above changes make the game simpler, the hit points of certain monsters, and almost all boss monsters, have been substantially increased (doubled, in some cases) in order to better balance the gameplay.

WonderSwan Color version to Final Fantasy Origins
The PlayStation remake of Final Fantasy was released alongside its sequel, Final Fantasy II, in a collection titled Final Fantasy Origins (or Final Fantasy I+II Premium Collection in Japan). Both of these games were based on the WonderSwan Color remake, and most of the changes instituted in that version remain. However, there are a few differences:
 * Higher resolution graphics. Although the graphics are basically the same as in the WSC version, the PlayStation's higher screen resolution means that most of them have been improved to some degree, with quite a bit more detail.
 * Remixed soundtrack. Nobuo Uematsu remixed the soundtrack to Final Fantasy IX quality to utilize the Sony PlayStation audio capabilities and also composed a few new tracks like the ones used in the opening movies.
 * Rewritten script. In the Japanese language version, the script has been changed to include kanji. The English language translation, too, has been completely rewritten, and is, in most cases, much closer to the Japanese than the original English NES version was. Character and magic name lengths have been increased from four to six characters, as well.
 * Even more saved game slots. Saved game data takes up one block on the PlayStation memory card, which means that up to fifteen games can be saved onto each memory card. The "quick save" feature of the WSC version has been excised, but in its place a "memo save" feature has been introduced where game data can be temporarily saved to the PlayStation's RAM. This data remains until the system is turned off, or its power supply is otherwise interrupted.
 * Added full-motion video cutscenes and omake. The game is now book-ended with two full-motion, prerendered video cutscenes. An "omake" (or bonus) section has also been made available. It includes a bestiary, an art gallery, and an item collection that are unlocked as the player progresses through the game.
 * New "Easy Mode". A new "easy mode" has been introduced wherein shop prices are cheaper, experience levels are gained more quickly, and stats are increased more rapidly. This mode is optional and is chosen at the start of the game.

Final Fantasy Origins to Final Fantasy I & II: Dawn of Souls
Another fairly extensive list of changes accompanies the Game Boy Advance release of Final Fantasy as part of Final Fantasy I & II: Dawn of Souls. Among them are:
 * Reduced difficulty level. The GBA version's difficulty level most closely resembles the "easy mode" of the PlayStation/Final Fantasy Origins version. Unlike that version, however, there is no option to switch back to the original difficulty. Similarly, the redirection of "ineffective" hits, which had been optional since it was introduced in the WSC version, is now mandatory.
 * Lower resolution graphics, compared to the PlayStation version. Graphics are more or less identical to the WSC version, although the GBA has a slightly higher screen resolution than the WSC, and certain sequences (such as flying around on the airship) look better on the GBA than on the WSC.
 * New magic system. The "spell level"-based magic system was dropped in favor of the magic point-based system used in more recent Final Fantasy games. Although spells are still classified at certain levels for some purposes (characters can still only be equipped with three of the four available spells of any given level, for instance), every spell is now assigned a point value. When cast, that value is subtracted from a total number of magic points (or MP) that applies to all spells known by a character.FFI Phantom Train.PNG
 * New item system. Many new items have been introduced, including the reviver item Phoenix Down. Healing items are now much easier to procure, and less expensive, as well. The party starts the game with 500 gil instead of 400 as in previous versions. The player can also now obtain item drops from enemies.
 * Omake bestiary. The omake artwork gallery and item collection present in the PlayStation version have been omitted, but the bestiary gallery remains and operates more or less exactly as it did previously.
 * Miscellaneous game engine tweaks. Certain classes have been modified: the Thief and Monk have become more powerful, whereas the Red Mage has become less so. Stat growth has been altered, and Intelligence now affects the strength of weapon-based magic spells.
 * Altered save system. The game can now be saved at any time, anywhere (again, except during battles). There are three available save game slots.
 * Monsters have even more HP. Because the introduced changes make the game even less challenging, many monsters and boss monsters have had their hit points increased once again.
 * "Auto-naming". During character creation, the player can choose to have the game randomly assign a name to each character. These names are all taken from other Final Fantasy games and include Desh (Final Fantasy III), Giott (Final Fantasy IV), Kelga (Final Fantasy V), and Daryl (Final Fantasy VI), among others.
 * Soul of Chaos. Four new optional dungeons have been introduced, one corresponding to each Fiend, and becoming available after that Fiend is defeated. These dungeons are especially challenging and feature items and monsters not found anywhere else in the game. At the end of each dungeon there are a variety of boss monsters from subsequent games in the Final Fantasy series, including the bosses from the World of Darkness from Final Fantasy III, the Archfiends from Final Fantasy IV, the bosses from the Cleft of Dimension from Final Fantasy V and the bosses from Final Fantasy VI.

Final Fantasy 20th Anniversary Edition
In honor of the 20th Anniversary of the first Final Fantasy game's release, Square announced another remake, this time for the PlayStation Portable. The soundtrack is borrowed from Final Fantasy Origins. The script is nearly identical to the GBA version aside from the Labyrinth of Time. The known changes and features are:
 * Higher resolution. The graphics have been updated once again and more detailed. Aerial effects have been added to the towns and dungeons.
 * Soul of Chaos Dungeons. The new dungeons from the Dawn of Souls version remain in this version. The music tracks from boss battles were also changed to the tracks of the games the new bosses originated from, which consists of five new tracks.
 * The Labyrinth of Time. The new dungeon with much greater difficulty than any other in the game and its new superboss surpasses even Omega, Shinryu, and Chaos in difficulty.
 * Amano art gallery. The art gallery featured on Final Fantasy Origins has returned on this version.
 * CGI Scenes. The CGI scenes from the PlayStation version have returned.

Final Fantasy for iOS
The port of the original and second Final Fantasies to the iOS is available in the US iTunes Store for $8.99. It has been released on the UK Itunes store for £5.50. Both games have graphics similar to the Anniversary Edition and their special dungeons. With a single purchase, both the English and Japanese language versions of the games are made available (through the phone's system language). The original Final Fantasy's gameplay remains the same as in the PSP port, while Final Fantasy II iOS version adds new gameplay elements, mainly the implementation of touch controls. Launched in February 25 as an HD graphic game.

The Apple iOS version of Final Fantasy includes a "quick save" that allows the player to save the party's current location either on the overworld map or in dungeon mode when the application gracefully exits. This means that when gameplay is interrupted by returning to the home screen, receiving a phone call, or putting the device in sleep mode and subsequently syncing the device (which resets the device's current status), the game will resume in the same location when "Resume" is selected at the opening screen. However, if the player chooses to open a save file or new game, the data is deleted.


 * Final Fantasy for iOS, v1.0.3, is available from the Apple App Store, for $8.99 USD and 81.5 MB.

Final Fantasy BREW
Namco received rights to port Final Fantasy to U.S. mobile using the BREW development kit. This version of the game is largely based on the NES release, with a somewhat steeper difficulty curve. Sound effects are absent from the game, but the player may choose to turn background music off and on. BGMs consist simple MIDI arrangements with no looping points. The graphics are a compromise between the GBA and NES versions, having detailed sprites, but retaining the generic map and dungeon tiles used in the NES release. Unlike the GBA version, no extras are featured in this port.

Original Famicom version

 * Original Concept & Lead Designer - Hironobu Sakaguchi
 * Co-Designers - Hiromichi Tanaka, Akitoshi Kawazu, Koichi Ishii
 * Character Design - Yoshitaka Amano
 * Programmer - Nasir Gebelli
 * Co-Writer - Kenji Terada
 * Music - Nobuo Uematsu

Final Fantasy Origins

 * Executive Producer - Yoichi Wada
 * Original Staff
 * Program - Nasir Gebelli
 * Scenario -  Kenji Terada
 * Character Design - Yoshitaka Amano
 * Original Development - Hironobu Sakaguchi, Hiromichi Tanaka, Akitoshi Kawazu, Kouichi Ishii, Kazuko Shibuya, Nobuo Uemetsu, Kiyoshi Yoshii (Final Fantasy), Ken Narita (Final Fantasy), Katsuhisa Higuchi (Final Fantasy II)
 * Remake Staff
 * Producer - Yusuke Hirata
 * Directors -  Hideshi Kyonen (Final Fantasy), Katsuyoshi Kawahara, Kazuhiko Yoshioka
 * Designers - Sentaro Hotta, Tomohiko Tanabe, Hideto Oomori, Mieko Hoshino, Kumiko Fujiwara, Eiji Yamashita, Hisanori Tani, Yoshihisa Maeda, Tohru Honda, Yoshisuke Nkahara, Keisuke Motozono, Hiroko Watanabe
 * Movie Director - Koji Wakasono
 * Movie Designers - Mitsuhiro Yamada, Satoshi Sumida, Masato Motoki, Yutaka Maekawa, Wataru Ikeda, Shin Azuma, Rumiko Sawada
 * Movie Programmer - Naoto Uenaka
 * Movie Designers - Mitsuhiro Yamada, Satoshi Sumida, Masato Motoki, Yutaka Maekawa, Wataru Ikeda, Shin Azuma, Rumiko Sawada
 * Movie Programmer - Naoto Uenaka
 * Movie Coordinator - Shiho Sasaki
 * Sound Programmer - Minoru Akao
 * Music - Tsuyoshi Sekito
 * Sound Editors - Masataka Saito, Tomohiro Kamiya
 * Movie Sound Editor - Eiji Nakamura
 * Movie Dialoge Editor - Teruaki Sugawara
 * Music Supervisor - Nobuo Uematsu
 * Voice Section - Half Hip Studio
 * Firion - Yukimasa Obi
 * Leon - Takayuki Yamaguchi
 * Gus - Kenta Miyake
 * Maria - Noriko Shitaya
 * Mixer - Nobutaka Hirooka
 * Recordist - Nobuhira Hirano
 * Studio Booking - Toru Nakano
 * Coordinators - Kiyomi Tanikawa, Rie Nishi, Miwa Maki
 * Quality Management Division - Akihito Shoji, Hironori Akiyama, Kenichi Miyake, Hiromitsu Sato, and all QA Staff.
 * Ratings Section - Reiko Kondo
 * Porting - KAN NAVI Corp.


 * Localization Staff
 * General Manager -  Akira Kashiwagi
 * Localization Directors - Tomoko Sekii, Kazuyoshi Tahiro
 * Localization Programmer - Yoshinori Uenishi
 * Localization Assistant - Satoko Kondo
 * Special Thanks - Masashi Kouda, Masashi Nakamichi, Yasuhiro Maeda, Hideki Matsuoka, Katsunori Kataoka, Satoshi Murakami, Toshimi Kahara, Toshiaki Naito, Tetsuya Okamoto, Yasuhiko Kyo, Mitsuhiro Yamada, Miki Akakura, Yoshie Nishimura, Mika Okada, Sakiko Kuniyoshi, Yoshiya Hirohama, All Square Staff.


 * Square Enix, Inc.
 * Localization - Jennifer L. Mukai, Yutaka Sano
 * Quality Assurance - David Carrillo, Mohammed A.C. Wright, Aaron J. Adams (Lead Product Analyst/ Final Fantasy), Mathew Clift (Lead Product Analyst/ Final Fantasy II), Jonathan Cooperson, Dana J. Kwon
 * Customer Support - Ryan Riley, Anthony Montana
 * Marketing Communications - Kyoko Yamashita, Sonia Im
 * Marketing - Kenji Mimura, Keiko Kato, Fernando Bustamante, Patrick H. Cervantes
 * Sales - Sean Montgomery, Alaine C. Deleon
 * Business Development - Ken Berry
 * Senior Vice President & CFO - Kenzo Nogimura
 * President & CEO - Jun Iwasaki
 * Special Thanks - The Kenwood Group, Ruder Finn, Virtual Interactive, Inc., Joel G. Clift, Jaime J. Bencia, Yuji Shibata

Final Fantasy 20th Anniversary Edition

 * Executive Producer - Yoichi Wada
 * Producer - Yusuke Hirata
 * Production Manager &mdash; Kiyomi Tanikawa
 * Directors - Hideshi Kyonen, Katsuyoshi Kawahara, and Kazuhiko Yoshioka
 * Movie Director - Koji Wakasono
 * Movie Designers - Mitsuhira Yamado, Satoshi Sumida, Masata Motoki, Yutaka Maekawa, Wataru Ikeda, Shin Azuma, and Rumiko Sawada
 * Movie Programmer - Naoto Uenaka
 * Original Music - Nobuo Uematsu
 * Graphics - Yoshisuke Nakahara, Mieko Hoshino, Tomohiko Tanabe, Hideki Omori, and Eiji Yamashita
 * Testing - Reiko Kondo
 * Localization Manager - Akira Kashiwagi
 * Localization Directors - Tomoko Sekii and Kazuyoshi Tashiro
 * Localization Programmer - Yoshinori Uenishi
 * Localization Specialist - Amanda J. Katsurada
 * Localization Assistant - Satoko Kondo

Trivia

 * In Final Fantasy IV: The After Years, the Four Fiends are guardians for the True Moon crystals.
 * Supposedly, the world of Final Fantasy did at one point have summons, as shown in Dissidia Final Fantasy, but Garland banished them into the Interdimensional Rift.
 * Some of the enemies present in the game were taken from the first edition of the Dungeons & Dragons role playing game, including the Mindflayer and the Ochu.
 * The original Famicom release and MSX versions had some different graphics. Two of the most obvious changes are done to two types of monsters - the Medusa enemies were originally topless, while the Eye enemies were originally Beholders from Dungeons & Dragons. Later versions changed this, even the Japanese Final Fantasy I & II Famicom art. The Beholder graphic was restored in Dissidia as player icons, but the revised graphics for Master, Red Wizard and White Wizard remain.
 * Some of the recurring aspects of the Final Fantasy series did not appear until later on. The original Final Fantasy did not feature a character named Cid until Cid of the Lufaine was first mentioned in the Dawn of Souls remake. Since Chocobos were only introduced in Final Fantasy II, this is also the only game not to feature Chocobos, and is one of only three main series games not to feature Moogles, as these were only introduced in Final Fantasy III (with them being absent in Final Fantasy II and Final Fantasy IV as well).
 * The NES edition had a sly reference to the other major RPG of the time, Dragon Warrior. In the city of Elfheim, one headstone reads "Here lies Erdrick", Erdrick was referenced often in the original Dragon Warrior, and the protagonist of Dragon Warrior III. This reference was changed in later PlayStation editions to Link, the protagonist of The Legend of Zelda series. In the PSP remake, as well as the Dawn of Souls and the iOS version, this was recreated for NA players: when they visit the tombstone, it reads "Here lies Link." As well, many of the elves seen in the PSP version have an uncanny resemblance to Link.