Logos of Final Fantasy

The logos for each Final Fantasy game have a similar style. Starting with Final Fantasy IV, all game logos feature the same basic layout. The older games also received logos in the same style when they were re-released. The font used to for the title is Runic MT Condensed.

The logo art for the main series games, and for many spin-offs and sequels, is by Japanese artist Yoshitaka Amano who has been involved with the Final Fantasy series since its start. After Amano has drawn the logo art the actual logo is designed around it by the design team that chooses the color for the logo, among other aspects. Square Enix likes to reflect colors from the logo art within the key art. For example: The green and blue of the Final Fantasy VII Meteor logo, are also reflected in the Mako energy and Lifestream that play crucial roles in the game, and the tone of the key art.

Main Series
The logo for the original Final Fantasy shows the title in a simple light blue font with semi-transparent characters. It was the only time the title was entirely in katakana, rather than primarily English letters with a kana subtitle. The English logo is done in a custom font, slightly bolded, in red. The logo of the re-releases, starting from Final Fantasy Origins for PlayStation, features a Yoshitaka Amano drawing of the Warrior of Light in light blue. In Dissidia Final Fantasy, the Warrior's appearance and pose during his EX Burst mimic this logo's artwork. The logo was redesigned again for the Final Fantasy 20th Anniversary version of the game for the PlayStation Portable. It still features the Warrior of Light. This logo is also used for the mobile versions.
 * Final Fantasy

The original logo for Final Fantasy II is done in a colorful italic style: the writing is done in pale-purple fading into bright blue, the edges the letters are rimmed with gold, while the numerals are in a medium-to-light blue. The whole is styled vaguely in the shape of a dragon, emphasized more by the red reptilian eye incorporated into the first letter.
 * Final Fantasy II

The logo of the Final Fantasy Origins and Final Fantasy I & II: Dawn of Souls re-releases features a Yoshitaka Amano drawing of The Emperor in pink. The logo was again redesigned for the 20th Anniversary PSP release, still featuring the Emperor. This logo is also used for the mobile releases.

The logo for Final Fantasy III features the title in an italic orange font, and three crystal columns in the background. The letters are styled almost exactly like the previous game, only this time they are all-gold. The logo of the Nintendo DS re-release features a Yoshitaka Amano drawing of an unnamed Warrior of Light holding two swords in greens and blues. In Dissidia Final Fantasy, the Onion Knight strikes this pose during the Ninjutsu version of his EX Burst. This logo has been used for all following versions of Final Fantasy III.
 * Final Fantasy III

The logo of Final Fantasy IV features a Yoshitaka Amano drawing of Kain Highwind in purple, posing in a shape of number four in Arabic numeral. The color of the text matches the color of the drawing. The logo marks several things: it adopts what would become the "standard" design of the title logo, with the title in English and a katakana subscript and incorporating a piece of Amano artwork between or near (in this case, between) the "Final" and "Fantasy." It adopts the "standard" font for the series going forward, abandoning the stylized italics of the previous logos, and the font also seems influenced by the font of the American edition of the first Final Fantasy with a similar A, N, I and L (though with less elaborate Fs and a much narrower T). This overall design would become the standard for nearly every release to follow.
 * Final Fantasy IV

The logo of the North American release was done in a gilded style in a typeface similar to the English logo for Final Fantasy, but with somewhat less elaborate Fs (though they retain the distinctive tapered tail), narrower Ns and As, and most prominently a T which takes the form of a sword. The numeral was also changed from "IV" to "II" to avoid continuity issues. The logo for the WonderSwan Color release incorporated a gradient. This was the basis for the Final Fantasy IV Advance logo. The Japan-exclusive mobile phone port features a different shade of purple.

The sword model that replaces the "T" in the North American localization of Final Fantasy IV (written as Final Fantasy II) is identical to that in the logo of Final Fantasy Adventure, Final Fantasy Legend II, and Final Fantasy Legend III, right down to the lens flare.

The Nintendo DS version had a redesigned logo featuring Golbez. This logo has been used for all subsequent releases of the game.

The logo of Final Fantasy V features a Yoshitaka Amano drawing of a wind drake in purple and light blue. The text is a dark blue and the "V" strays from the traditional font style.
 * Final Fantasy V

The logo of Final Fantasy VI features a Yoshitaka Amano drawing of Terra Branford atop a Magitek Armor, depicting an event when she was in the thrall of the Gestahlian Empire. The armor and its rider are in black and red, while the text is black, from here on becoming standard for the series. The logo of the North American release, done in the exact style of the Final Fantasy "II" English logo, changed "VI" to "III" to avoid continuity issues.
 * Final Fantasy VI

While the box of the SNES release retains the "sword T" that had been used in "II", Adventure and the Legend releases, the logo in the game itself is instead a "normal" T with a thin, slightly stretched top which touches the N and A, in a manner reminiscent of the T in the first North American Final Fantasy logo.

The logo of Final Fantasy VII features Meteor in varying shades of turquoise. The smaller stone may be a piece of Materia. The green and blue of the logo set the theme for the color tone for the rest of the game as well, reflected in the Mako energy and Lifestream that play crucial roles in the story.
 * Final Fantasy VII

In Final Fantasy VII: Advent Children the town of Edge has a Meteor monument that resembles the logo. The logo of Final Fantasy VII: Advent Children is also a stylized version of the original Final Fantasy VII logo. The game marks the point the same logo and numbering was used worldwide.

The logo of Final Fantasy VIII features a red and orange drawing of Squall embracing Rinoa. The two assume the pose in-game during a scene at Sorceress Memorial, which is alluded to in the opening cinematic. The team knew that the Rinoa and Squall scene was going to be a a big moment in the game, so they asked Yoshitaka Amano to draw this for the logo. The red to yellow gradient reflects the sunset in the background of the moment Rinoa is falling to Squall's arms in the opening cinematic.
 * Final Fantasy VIII

The logo of Final Fantasy IX features the Crystal from which all life originates in shades of gold. The game number matches the crystal's color.
 * Final Fantasy IX

The logo of Final Fantasy X features Yuna performing a sending at the Kilika Port in a variety of vibrant shades, reminiscent of the iridescence of pyreflies also crucial for the scene the logo depicts. It is the first to officially bear Amano's signature, visible in the bottom-right corner. Like Final Fantasy V, the "X" strays from the traditional font style.
 * Final Fantasy X

There also exists a scrapped logo from the Square Millennium Event trailer. Yuna's face is seen on the left, facing the beholder, with her right hand raised upwards, and the profile of a large airship in the background. This image is taken from the 25th Anniversary Ultimania. The logo for the HD Remaster is almost identical to the original logo, apart from a bar done in the style of sunlit water beneath the main title, with silver writing superimposed over it.

The logo of Final Fantasy XI features a drawing of an army, likely an Allied regiment in the great Crystal War of the past. In its center, the light blue logo features five warriors, each representing a playable race in the game.
 * Final Fantasy XI

The logo of Final Fantasy XII features Judge Gabranth in blue and purple, with a peach-colored brushstroke on the right. In Dissidia Final Fantasy, Gabranth strikes this pose to end his EX Burst. Yoshitaka Amano's signature is visible just next to Gabranth's foot in the bottom-left part of the image.
 * Final Fantasy XII

The logo of Final Fantasy XIII features Cocoon, with Fang, Vanille, and Ragnarok holding it in the sky. The crystal pillar is replaced with the outline of Serah's pendant. For the first time, in lieu of traditional white, the text is outlined in turquoise to match Yoshitaka Amano's artwork. The logo design directly influenced the game's ending, where Cocoon was designed to match the logo art.
 * Final Fantasy XIII

The logo of Final Fantasy XIV fittingly features a group of fourteen male and female warriors, joined with various weapons drawn. The number of warriors on the logo alludes to the number fourteen. They are shaded in a variety of colors including blue, purple, orange, and red.
 * Final Fantasy XIV

For the relaunch, Final Fantasy XIV was remade from the ground up and given a new name, with accompanying changes to the logo. Now called Final Fantasy XIV: A Realm Reborn, the logo is the same art as the original, but colored entirely blue, and the subtitle "A Realm Reborn" is in red with the letter O in flames, representing the meteor that sent the world to a new era for the game's relaunch.

During beta versions of A Realm Reborn, the words "β Version" were appended under the right side the logo in pink. This was removed upon start of the Early Access period.

The logo of Final Fantasy XV features a one-winged woman in flowing robes sleeping with her head resting on her arms. Behind the head is a crystal sphere. Twisted around it and showing behind the person is a serpentine creature. The shape of the logo, meant to represent a shut eye, refers to the game's theme song "Somnus".
 * Final Fantasy XV

The text is outlined in a color that matches the artwork, which is in various shades of steel-blue through to black. The original Final Fantasy Versus XIII logo is identical apart from the text and the coloring, which is done in a lighter coloring style of light to dark blue.

The woman isn't necessarily Etro, the goddess of death mentioned in earlier trailers for Final Fantasy Versus XIII. She is, however, said to be the most important goddess in the Final Fantasy XV world, and Amano's original sketch of her was the inspiration for her character.

Spin-offs and Sequels
The logo for the Japanese release of Seiken Densetsu: Final Fantasy Gaiden shows the Seiken word intertwined with a cross-like hilt, with a color scheme and designed similar to Firion's sword from Final Fantasy II. The rest of the title is beneath the design and the whole is shown on an off-white background. The logo of its English release, Final Fantasy Adventure, shows the title with a sword for a "T", done with the same font as the Final Fantasy "II" English release (down to an identical sword).
 * Final Fantasy Adventure

The logo of Final Fantasy IV -Interlude- is a simple picture of the typical Final Fantasy IV with -Interlude- written right below it.
 * Final Fantasy IV -Interlude-

The logo of Final Fantasy IV: The After Years is the two moons, with the new one growing larger.
 * Final Fantasy IV: The After Years

The logo of Final Fantasy X-2 features Yuna, Rikku, and Paine with the reverse color gradient of its predecessor's namesake. By coincidence, the scarf of Rikku's in-game character models have a similar gradient. Amano's signature is visible just to the right of Paine's extended leg. The logo of the Japan-exclusive International + Last Mission version features the same logo with the "International + Last Mission" text imposed on top of it.
 * Final Fantasy X-2

The logo of Final Fantasy Tactics is a group of soldiers, including a Black Mage, a Ninja, and a Knight. The font is altered, reminiscent of the early North American localizations, again with a sword replacing the first T and with the distinctive taper on the tail of the Fs; the font would become an official Tactics mainstay.
 * Final Fantasy Tactics

The logo of Final Fantasy Tactics Advance is a judgemaster (likely Cid Randell) on his chocobo.
 * Final Fantasy Tactics Advance

The logo of Final Fantasy Dimensions features the characters Vata as a Warrior of Light and The Mask as a Warrior of Darkness. The artwork is done in a rainbow pattern. The game is called Final Fantasy Legends: Hikari to Yami no Senshi in Japan thus has a logo with different text.
 * Final Fantasy Dimensions

The logo of Final Fantasy Mystic Quest features a new typeset with gilded letters in a style similar to other American Final Fantasy releases of the time.
 * Final Fantasy Mystic Quest

The logo of Final Fantasy: The 4 Heroes of Light features a new typeset in golden letters.
 * Final Fantasy: The 4 Heroes of Light

The logo of Final Fantasy Explorers features various job classes taking on a dragon. The logo text does not use the usual font, and has a crystal substitute for the O in the word "explorers". The game's logo is designed by Amano.
 * Final Fantasy Explorers

The logo of Mobius Final Fantasy features the main protagonist wearing armor and wielding an ornate sabre. Behind him is a yellow figure-of-eight pattern. The logo was designed by Amano.
 * Mobius Final Fantasy

The logo for Final Fantasy Grandmasters resembles the logo for Final Fantasy XI by its colors, being a spin-off of the original Final Fantasy MMO. It features an airship with a city on its back, and the different races of Vana'diel.
 * Final Fantasy Grandmasters

Final Fantasy 20th Anniversary
The Final Fantasy 20th Anniversary logo features an Amano drawing of Princess Sarah on top of a crystal. Other conceptual designs include a Warrior of Light and the Bomb enemy.
 * Final Fantasy 20th Anniversary

The logo of the 20th Anniversary Eedition of Final Fantasy is similar to the original, featuring an Amano drawing of a Warrior of Light in light blue, but at an angle, facing the viewer slightly.
 * Final Fantasy, 20th Anniversary Edition

The logo of the 20th Anniversary edition of Final Fantasy II is also similar to the original, featuring an Amano drawing of The Emperor in pink, but with the Emperor looking directly at the viewer.
 * Final Fantasy II, 20th Anniversary Edition

The logo of the 20th Anniversary edition of Final Fantasy IV features an Amano drawing of Golbez. This logo is also used for the mobile and Steam releases of the game.
 * Final Fantasy IV, 20th Anniversary Edition

Dissidia
The logo of Dissidia Final Fantasy features Chaos and Cosmos, the two opposing one another. Yoshitaka Amano's signature is visible in the bottom-right corner of the image, near Chaos's leg.
 * Dissidia Final Fantasy

The logo of Dissidia 012 Final Fantasy again features Chaos and Cosmos, each on the opposite side of their predecessor's logo artwork. Amano's signature is visible in the same place as before, this time just next to the end of Cosmos's gown.
 * Dissidia 012 Final Fantasy


 * Dissidia Duodecim Prologus Final Fantasy

The arcade version is based on the original Dissidia Final Fantasy logo. It has no artwork, the "Dissidia" text is purple and embossed, and there is a red lens flare in the middle.
 * Dissidia Final Fantasy (Arcade)

The logo of Theatrhythm Final Fantasy parallels the Dissidia Final Fantasy logo with Cosmos and Chaos, albeit in a super-deformed style.
 * Theatrhythm Final Fantasy

The logo of Theatrhythm Final Fantasy Curtain Call features Terra Branford, Zidane Tribal, Onion Knight, Bartz Klauser, Y'shtola and Vaan in the back row, while Shantotto, Tidus, Firion, Cloud Strife, Warrior of Light, Lightning, Squall Leonhart, Cecil Harvey and a moogle appear in the front row, Chaos and Cosmos are depicted in gold behind the characters in the same positioning as the Dissidia 012 Final Fantasy logo.
 * Theatrhythm Final Fantasy Curtain Call

Compilation of Final Fantasy VII
The logo of Compilation of Final Fantasy VII is the original Final Fantasy VII logo, on a black background, and the words "Compilation of Final Fantasy VII" on Meteor.
 * Compilation of Final Fantasy VII

The logo was used in 2007 to celebrate the 10th anniversary of Final Fantasy VII. It features Cloud Strife being flanked by Zack Fair and Sephiroth.
 * Final Fantasy VII 10th Anniversary

The logo of Final Fantasy VII: Advent Children is a view of the ruins of Midgar matching the shape of the original Final Fantasy VII logo.
 * Final Fantasy VII: Advent Children

Basically the same as the Advent Children logo, but has added a dark blue box with the word "COMPLETE" below the original title.
 * Final Fantasy VII: Advent Children Complete

The logo of Before Crisis -Final Fantasy VII- depicts two of the main playable characters standing back to back. Who they are depends on which mobile game network the game was downloaded from.
 * Before Crisis -Final Fantasy VII-

The logo of Crisis Core -Final Fantasy VII- is just the title, with a sky of clouds as the background. The game's logo is said to represent the game's central characters; the blue sky symbolizes Zack Fair, the main protagonist; the white feather is a symbol of Angeal Hewley, Zack's mentor; and the water represents Aerith Gainsborough, Zack's love interest.
 * Crisis Core -Final Fantasy VII-

The logo appears in the North American and PAL versions' game cover without the blue background.

The logo of Dirge of Cerberus -Final Fantasy VII- is a representation of Cerberus, the creature Vincent named his gun after.
 * Dirge of Cerberus -Final Fantasy VII-

Identical to the main game's logo, except for the words "Lost Episode" placed between the two lines of the title in gold lettering.
 * Dirge of Cerberus Lost Episode -Final Fantasy VII-

The logo of Last Order -Final Fantasy VII- is the title of the OVA, with the words "Last Order" colored in a similar style to the numeral in the logo of Final Fantasy IX. The gradient underline previously seen in logos such as Final Fantasy and Final Fantasy II is also used.
 * Last Order -Final Fantasy VII-

The logo of Final Fantasy VII: Snowboarding is the Final Fantasy VII typeset over a stylized "Snowboarding" subtitle in shades of blue and white.
 * Final Fantasy VII: Snowboarding


 * Final Fantasy VII G-Bike

Final Fantasy XI expansion packs
On the game's login screen, the logo of each expansion is displayed, illuminated if owned by the player or watermarked if not.

Fabula Nova Crystallis: Final Fantasy
The logo of Fabula Nova Crystallis: Final Fantasy features a goddess wearing grand clothing, with wings and a crystal sphere at the bottom of her feet (next to which Amano's signature is visible). The main title is done in black with white borders, while the second half is white inside a black bar. The original logo bore the "XIII" numeral: this was removed after Final Fantasy Agito XIII was renamed Final Fantasy Type-0.
 * Fabula Nova Crystallis: Final Fantasy

The logo of Final Fantasy XIII-2 features Lightning in a suit of armor and her fated rival, Caius Ballad. The text is outlined in a color that matches the artwork. Amano's signature is visible under Lightning. According to an interview with Isamu Kamikokuryo about the game's art direction, the colors pink and purple came up a lot, and consequently, they are the colors in the logo. Lightning and Serah with their rose-colored hair represent pink, while Caius has a purple set of armor, purple hair and can transform into a purple Chaos Bahamut.
 * Final Fantasy XIII-2

The logo of Lightning Returns: Final Fantasy XIII differs from the Final Fantasy norm and from the other logos in the Fabula Nova Crystallis: Final Fantasy series by not featuring a Yoshitaka Amano artwork and not using the usual typeface. It features an emblem that resembles a crystal and the text has a crystalline texture to it. There are also patterns in it resembling lightning bolts, likely relating to the game's heroine. In-game this is the crest of the savior.
 * Lightning Returns: Final Fantasy XIII

Producer Yoshinori Kitase has explained that the title logo was revamped because the team wanted to convey the "newness" of the installment compared to previous Final Fantasy games. The intention was to use an emblem with sharp edges and a symmetrical design.

The logo of Final Fantasy Type-0 features the goddess Diva, with both "aspects" of her touching a crystal sphere. The kanji word was drawn by Yusuke Naora, while the main artwork was designed by Amano. The text is done in black with white borders. The original logo, when the game was named Agito XIII, has text in outlined in a color that matches the artwork, which is done in paler shades than the Type-0 artwork. The logo for its HD release is also identical to the original, except with the color of the artwork changed to gold surrounded by sparkling particles, the kanji "Final Fantasy" removed from above the main text and "HD" added after the Type-0 kanji in a style similar to some types of Japanese calligraphy.
 * Final Fantasy Type-0/Agito

The change in the game's coloring tone from the original red to the golden tone in the HD remake was not completely planned from the beginning, but came from the new logo. Yusuke Naora designed the new logo as per diretor Hajime Tabata's request, and the team decided to unite the presentation of the new game under the golden tone from the new logo, although this could not be carried out exactly as it made the game too dark in places to see all the details.

The logo of Final Fantasy Agito is virtually unchanged from its previous incarnations, being the same image with an altered, bright pink-to-red color-palette, and surrounded by a crimson blur. While the main title is done in the Runic MT Condensed format common to the series, the word "Agito", which dominates the title, is done in an oriental style similar to the HD moniker for Type-0. The text of the Agito+ logo is identical except for the addition of the "+" sign and the katakana for "plus" in the text. The color is also altered to various shades of blue and white. The logo for Final Fantasy Type-0 Online again uses the Amano design, with the "Online" done in a similar style to Agito.

The scene of the two Divas touching a crystal orb with moving clockwork cogs inside is depicted in the original game's intro. The orb symbolizes Orience, the world of Final Fantasy Type-0.

Finest Fantasy for Advance
The logo of Finest Fantasy for Advance is a simple black and white box.

Ivalice Alliance
Ivalice Alliance The logo of the Ivalice Alliance features a sword surrounded by the thirteen Zodiac signs, a recurring theme in Ivalice-based games.

The logo of Final Fantasy XII International Zodiac Job System was painted by Yoshitaka Amano. It shows off the five Judge Magisters in the game.
 * Final Fantasy XII International Zodiac Job System

The logo of Final Fantasy XII: Revenant Wings features the Galbana flying through the sky. The logo was designed by Isamu Kamikokuryo.
 * Final Fantasy XII: Revenant Wings

The logo of Final Fantasy Tactics: The War of the Lions features a drawing of two opposing sides fighting each other. It includes a Time Mage, a Dragoon, a White Mage, an Onion Knight, a Ninja, a Black Mage, a Summoner, an Archer and a chocobo.
 * Final Fantasy Tactics: The War of the Lions

The logo of Final Fantasy Tactics A2: Grimoire of the Rift features a drawing of a Judge and a Grimoire.
 * Final Fantasy Tactics A2: Grimoire of the Rift

The logo of Crystal Defenders features a blue and peach crystal with the title in a red gradient.
 * Crystal Defenders

The logo of Crystal Defenders: Vanguard Storm is similar to its predecessor, though the subtitle is in a diamond font.
 * Crystal Defenders: Vanguard Storm

Final Fantasy Crystal Chronicles
The logo of Final Fantasy Crystal Chronicles is a Myrrh Tree. The swooping, crescent shaped C's of this original logo would become a staple of the Crystal Chronicles series.
 * Final Fantasy Crystal Chronicles

The logo of Final Fantasy Crystal Chronicles: Ring of Fates spells out the game title is a stylistic red font, with a gem on a chain hanging from the leading leg of the R in the word "ring."
 * Final Fantasy Crystal Chronicles: Ring of Fates

Other logos include a picture of the twins Yuri (left) and Chelinka (right), as well as as the arch of a stained glass window. However, neither of these are consistent in the different versions of the game's box art.

The logo of Final Fantasy Crystal Chronicles: My Life as a King is a silhouette of King Leo and the Kingdom of Padarak.
 * Final Fantasy Crystal Chronicles: My Life as a King

The logo of Final Fantasy Crystal Chronicles: Echoes of Time includes a picture of the cat that Sherlotta uses as a substitute body and a crystal.
 * Final Fantasy Crystal Chronicles: Echoes of Time

The logo of Final Fantasy Crystal Chronicles: My Life as a Darklord is a stylized font with many angled letters and serifs, written in a gradient from pale pink to deep purple. The image behind the title also uses various pinks and purples.
 * Final Fantasy Crystal Chronicles: My Life as a Darklord

The logo of Final Fantasy Crystal Chronicles: The Crystal Bearers reuses the light blue font used in the original Crystal Chronicles title of Final Fantasy, and spells out the game's sub-title in a heavily stylized yellow font which spills over into the final four letters of "fantasy."
 * Final Fantasy Crystal Chronicles: The Crystal Bearers

Compilations
The logo of Final Fantasy I∙II is simple with no background image and the text is in blue. This was the first time Final Fantasy and Final Fantasy II were released with the modern typeset for their logos.
 * Final Fantasy I∙II

The logo of Final Fantasy Origins includes the title in the familiar typeset, plus the colors of the logos from the original Final Fantasy and Final Fantasy II in the underline.
 * Final Fantasy Origins

The Final Fantasy I & II: Dawn of Souls includes the logos of the original Final Fantasy and Final Fantasy II on either side of the main Dawn of Souls logo, with a crystal behind it.
 * Final Fantasy I & II Dawn of Souls

The Final Fantasy Collection logo is simple with the Final Fantasy text with the word Collection under it.
 * Final Fantasy Collection

The Final Fantasy Chronicles logo is basic with only the text "Chronicles" added to the main logo.
 * Final Fantasy Chronicles

The Final Fantasy IV: The Complete Collection logo is the basic Final Fantasy logo with the Complete Collections text added to it, without a background image.
 * Final Fantasy IV: The Complete Collection

The Final Fantasy Anthology logo is written in bronze color instead of black and has an embossed rather than flat look, but otherwise is similar to other Final Fantasy series logos. The typeset used is Birch STD, rather than the regular series typeset which is based on Runic MT.
 * Final Fantasy Anthology

A compilation pack from Square's Ultimate Hits series, including Final Fantasy X and its sequel, Final Fantasy X-2 for the PlayStation 2. This was made available to Japan only.
 * Final Fantasy X / X-2 Ultimate Box

The Final Fantasy X/X-2 HD Remaster logo is composed of logos for Final Fantasy X and Final Fantasy X-2 respectively. It has written "HD Remaster" in a solid steel color on a transparent light blue bar.
 * Final Fantasy X | X-2 HD Remaster

Final Fantasy 25th Anniversary
The Final Fantasy 25th Anniversary logo features a moogle sitting on a small throne atop a chalice. The letters have a gold gradient while "25th" is in a red gradient.

Trivia

 * Yoshitaka Amano signed his Final Fantasy X, X-2, XII, XII International Zodiac Job System, XIII-2, Dissidia, Dissidia 012, and Fabula Nova Crystallis logos.

Reference
Logo Logos de Final Fantasy Логотипы Final Fantasy